bjork

The Icelandic music and film icon Björk has taken yet another fashion-forward step. Before an invitation-only audience at Tokyo’s Miraikan Museum, Björk performed in a 3D printed mask designed by MIT professor, designer and innovator Neri Oxman. Inspired by Björk’s most recent album, Vulnicura, Oxman, renowned in design circles for her use of 3D printing and biomimicry in particular, used 3D scans of Björk’s face to create digital interpretations of her bone and tissue structure. The customized design was brought to life using Stratasys’ unique full-color, multi-material 3D printing technology.

Björk wore the 3D printed mask, entitled “Rottlace” (a variation of the Icelandic term for ‘skinless’), during the opening performance of the Tokyo leg of her ‘BJÖRK DIGITAL’ event series – a new virtual reality project from the musician running from June 29 to July 18, 2016.

Björk wearing the Stratasys 3D printed mask during the opening performance of her ‘BJÖRK DIGITAL’ event series, the first-ever event to be broadcast live via 360-degree virtual reality streaming. Photo credit: Santiago Felipe.

Björk wearing the Stratasys 3D printed mask during the opening performance of her ‘BJÖRK DIGITAL’ event series, the first-ever event to be broadcast live via 360-degree virtual reality streaming. Photo credit: Santiago Felipe.

The event is the first to be broadcast live via 360-degree virtual reality streaming. Björk performed the single ‘Quicksand’ from her latest album to a backdrop of high-resolution images of the earth, along with an impressive sequence of light projections mapped onto the 3D printed mask

“I am so incredibly blown away by Neri Oxman’s work and excited to finally work with her,” says Björk. “She is a true pioneer in capturing the biological with 3D printing in such a refined and profound way. It’s been a real joy to get to know her!

The Rottlace mask reflects the complex human musculoskeletal system, based on Björk’s own facial structure. Using Stratasys multi-material 3D printing, Oxman and Mediated Matter were able to mimic the elaborate combinations of contrasting materials found in the face, such as the soft tissue, muscle and rigid bone structure – all within a single print. According to Oxman, the unique capabilities of this technology to recreate complex geometries with varied material properties allowed the mask to retain a unique flexibility and freedom of movement integral to Björk’s performance

Oxman believes that such developments in high resolution 3D printing will inspire designers to rethink the design and production of textile goods made with fibres. “Multi-material 3D printing enables the production of elaborate combinations of graded properties, distributed over geometrically complex structures within a single object. With Rottlace, we designed the mask as a synthetic ‘whole without parts’.

“The Rottlace mask was designed for Björk while we are also working with Neri on a larger mask collection for Stratasys, which will debut later this year under the title ‘The New Ancient’,” says Naomi Kaempfer, Creative Director Art Fashion Design at Stratasys. “It’s an honor to see visionaries such as Björk embrace 3D printing for the expression of her art. This technology not only provides the freedom to produce perfect fitting costumes for the film and music industries, but also the inimitable capacity to materialize a unique fantasy to such a precise level of detail and 3D expression.”

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